PR 28
$149
The Basics
The PR 28 is the premier drum microphone designed for toms, snares, bongo and many other applications The tight cardioid pattern with a wide frequency response and stellar rear rejection makes the PR 28 suitable for many other applications. A unique dual suspension system between the actual dynamic element and the grill and body reduces unwanted vibrations. The PR 28 has a frequency response of 55Hz - 18kHz (3dB rise @3500Hz). Its rear rejection is -35dB @ 180° off axis. It can handle +148dB SPL.
What People Are Saying
Lippo and BigJD (Broadcaster) - "We both use the Heil PR40. Something important for us as broadcasters or "podcasters" is low frequency response. That's why BigJD & Lippo use Heil PR40's. Aside from a great overall response the bottom cuts through perfectly. We no longer require the condenser mics we used in the past. Heil technology has changed that for us. And if Art Bell uses your PR40 there has to be a reason...... ;-)"
More from Lippo and BigJD
Seth Stevenson Program Director, WMTC - Mountain Gospel Radio (Review) - "We have been using the PR 40s in our live and production studios Today, a crew was using air hammers to drill into our concrete building. Of course it was quite noisy. The PR 40 did wonders rejecting all that background noise. It hardly picked up a ripple on the screen."
More from Seth Stevenson Program Director, WMTC - Mountain Gospel Radio
Barry Rudolph (Review) - "This "working-man's hero" has the same wide frequency range, low handling noise and the ability to handle +140 dB SPL--you can mic the quietest singer to the loudest snare drum played with baseball bats."
More from Barry Rudolph
Billy Triplett, FOH (Live Sound Engineer) - "I've Gone to Heil 'cause I Shure am done!"
Mixguides Magazine (Review) - "I found the Heil to excel primarily at vocal and narration recording. There is plenty of
output level, and the top end is noticeably open and airy — much like a condenser
model."
More from Mixguides Magazine
ProSound News (Review) - "The PR 48 gives me exactly what I need for most applications. During a half-dozen live gigs where I asked to change out the house kick mic with
the PR 48, house sound engineers consistently commented about how it didn't need EQ or much of anything, for that matter; it's the punchy, full-bodied, and flattering kick sound that we generally labor over."
More from ProSound News
Sights and Sounds
Additional Images (click to enlarge)
