HH 1
$42
What People Are Saying
Mark Jensen (Artist) - "Mics: PR 20's for field interviews and PR 40s for Studio 1A. In Studio1A, we use 3 PR-40's in the main studio. I love the smooth low-end of this mic. It's has a warm sound unlike any dynamic I've ever used."
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Mixguides Magazine (Review) - "I found the Heil to excel primarily at vocal and narration recording. There is plenty of
output level, and the top end is noticeably open and airy — much like a condenser
model."
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Mixonline Magazine (Review) - "One remarkable thing I noticed was that the PR30 has a tendency to round out the
transient in a beneficial way, almost as though it mildly compresses the signal. This
was subtle, yet noticeable in a number of high-transient applications. Heil claims tha"
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TransAudio Group (Review) - "Dynamic mics are durable, but the sound hasn't always been as good as some would like; Heil's PR series dynamic mic improves the sound, keeps the durability, with a band-friendly price tag. "
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Big Papa and the TCB (Artist) - "When I put the Fin side by side with the mics we were using, I couldn't believe the difference! The old mic sounded like it had a blanket over it compared to the Fin. The clarity is incredible! Being heard over the band is so much easier now, and becuase of that, I don't end up hoarse at the end of the night anymore. We love these mics so much, we've actually argued with sound men and refused to go on without our Fins! Do yourself a favor and pick up a few of these mics. It'll be the best investment you ever make."
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Barry Rudolph (Review) - "This "working-man's hero" has the same wide frequency range, low handling noise and the ability to handle +140 dB SPL--you can mic the quietest singer to the loudest snare drum played with baseball bats."
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